A seriously good record or just throwaway monkey business?
It seems not so long ago that Arctic Monkeys’ third studio album, ‘Humbug’, was released – to rather mixed reviews from fans and critics alike. The majority of long-time fans were very much unimpressed with the change of musical direction taken, under the partial influence of Queens of the Stone Age frontman Josh Homme (also of Them Crooked Vultures fame). The album bore desert-rock stylings, from the artwork, to the lyrics, and most importantly to the music itself. Complaints were frequently made over the lack of thumping, pulsing, high octane tracks, seemingly replaced by more subdued, less frenetic songs. Even those fans that enjoyed Humbug more than the majority opinion would dictate (such as myself) would likely admit that they’d hope to see the band go back to their Sheffield roots for their next effort. I can tell you right now, if you’re under the impression that this is going to happen, prepare to be disappointed. Also prepare to open up to different styles of music though, because this is by no means a bad record. Just because you won’t find anything like ‘I Bet That You Look Good…’ certainly doesn’t mean that there’s no chance of even the most resilient Arctic Monkeys fan enjoying this record. That said, if you genuinely didn’t take to ‘Humbug’, there’s a pretty good you won’t take to this either. ‘Humbug’ and ‘Suck It And See’ are similar boiled sweets. We sucked ‘Humbug’, and found it to be a little bland (if we’re being brutally honest here), with a flavour that admittedly improves over time. Unfortunately though, most Arctic Monkeys fans would have been too impatient to keep it in their mouths; it was frequently spat out and stomped in the dirt. In comparison, ‘Suck It And See’ is sweeter tasting, with a much more immediate flavour. It’s reminiscent of a more old fashioned sweet though, despite it being fresh and new. I promise there’ll be no more terribly contrived analogies from now on. I think what I’m trying to say is that ‘Suck It And See’ is easier to get into and a bit more of a pop record than the 3rd album. It finds its own way of being mellow at points though, and let’s remember, this is guitar music we’re talking about here – it’s never anywhere near the ‘poppy’ nature of the Jackson 5, for example (THANK GOD). There’s something of a ‘60s-esque feel going on here, and because of this, if anything, it’s closer to The Last Shadow Puppets’ (a side project of Alex Turner’s, alongside Miles Kane) debut album, than ‘Humbug’. Whatever it is, it’s good music for sure.
| Go on, suck it and see...! |
The main talking point of any Arctic Monkeys album is inevitably going to be the lyrics; quite simply because it’s what they consistently do best. Alex Turner’s been regarded as one of the UK’s best modern lyricists ever since the release of the band’s debut album, ‘Whatever People Say I Am That’s What I’m Not’. As a matter of (relative) interest, popular poet Simon Armitage considers Alex Turner to be a fellow poet, but of the musical field. It’s hard to disagree. Lyrically, ‘Suck It And See’ feels further from home than ever before. In fact, Sheffield seems completely out of sight here. Some of the songwriting found here is what I can only describe as oddball. Wild metaphors are made, and kooky references to objects of obscurity are common - ‘rarer than a can of dandelion and burdock’. A snippet of this style was present on ‘Humbug’, which now feels like what was a warm up for the real thing. It’s a little charming in its unorthodox approach. One thing’s for sure, the lyrical style absolutely fits the music. It’s never so farfetched that it descends into total silliness and overkill though. No song captures this better than lead single ‘Don’t Sit Down ‘Cause I’ve Moved Your Chair’. The title says it all. It’s a real shame that this song didn’t chart very well at all, because I reckon it stands up toe to toe with their best work (28th?!). The album on the whole is a bold change of direction for the band, but ‘Don’t Sit Down…’ probably encapsulates this intrepidation best. The guitar riff is laid down thick, crunching the floor after a barren and mysterious first verse. It’s certainly befitting of other rock bands you’d consider to be heavier in style than the Arctic Monkeys. It also manages to tie in a reasonably catchy sing-a-long (ish) chorus with it, an achievement which should be applauded when it’s a component of such a gritty sounding single. As earlier mentioned, ‘Don’t Sit Down…’ is as light hearted as the album gets, lyrically speaking - ‘do the Macarena in the Devil’s lair’. Though the lead single, it wasn’t the first song from ‘Suck It And See’ to emerge in the public domain.
Teaser track ‘Brick By Brick’ quite controversially hit the ‘net weeks before the release of ‘Don’t Sit Down…’. It’s not the manner of the release that can be considered controversial, but the reception it was met with upon arrival. On an irrelevant note, this song seduces me into forced reminiscing about Lego upon hearing; this, I love. With vocals handled predominantly by drummer Matt Helders, ‘Brick By Brick’ somewhat lacks lyrical complexity. Honestly, that’s putting it lightly; it’s tosh songwriting - ‘I wanna rock and roll. I wanna rock and roll. I wanna rock and roll.’ No kidding. The tune itself follows an interesting structure, and is actually undeniably catchy. It’s just a bit of fun, with some neat sounding instrumentation that spices up the overall polish of the album to a degree. While on the subject, it’s worth mentioning Helder’s work on the sticks and not just his minor contribution to vocal duties. His overall performance is solid, with one track in particular striking me as having an ace beat. It’s incredibly simple, but ‘Love Is A Laserquest’ contains some drumming that’s catchier than some of the catchiest songs on this album. The song itself is frankly a tad dull, but there’s something oddly addictive about that drum beat which means I keep coming back to this song.
It seems that for the soon to be released second single from ‘Suck It And See’, the trend of unnecessarily long titles will continue. If they’re trying to prove a point with this, I’m not sure what point it is they’re trying to prove. ‘The Hellcat Spangled Shalalala’ is reported to be the next song to hit our airwaves, and I don’t want to sound like a broken record here, but it’s another pretty catchy tune. Whether it’s fit for radio airplay though, remains to be seen. ‘Humbug’s ‘in your face’ sibling, ‘Suck It And See’ definitely maintains a style similar to that of its predecessor. In fact, you could argue that Arctic Monkeys’ 4 albums could be comfortably divided into two pairs; their earlier, original sound, consisting of ‘Whatever People Say…’ and ‘Favourite Worst Nightmare’ and then the redefined version of the band, consisting of ‘Humbug’ and ‘Suck It And See’. Ready for some more division? Up until track 6 (of 12), the immediacy and reasonable accessibility of the record holds true. In the bigger picture though, it’s a facade. I don’t necessarily mean this to be a negative point, because variation is absolutely vital in the making of a great record. It just feels to me as though the tracklisting could have benefitted from a rejigged order, so to avoid any kind of turning point in the album. This is definitely me just being picky though, because in no way is the second half of ‘Suck It And See’ boring – it’s just on average a little less colourful. In fact, the more I listen, the less I would hasten to make this point…too late, I’ve said it now.
Elsewhere, opener ‘She’s Thunderstorms’ is likely to find itself being sung along to heartily at this year’s festival gigs, as is ‘Black Treacle’, which rolls out with the feeling of a bygone era, bearing a really warm, traditional tune and the first taste of nonsensical lyrics that somehow inexplicably manage to make sense on the album. ‘Library Pictures’ charges with menace and frantic tempo drumming, far more reminiscent of a real life thunderstorm than ‘She’s Thunderstorms’. If any song from ‘Suck It And See’ could feasibly sneak its way onto one of the Arctic Monkeys’ first albums, it’d probably be ‘Library Pictures’. ‘All My Own Stunts’ adds an element of swagger (thanks in part to the backing vocals of Josh Homme), but falters when it comes to actually adding any real substance to what else can be found on the LP. Recently leaked track ‘Reckless Serenade’ is a pretty little ditty, and seems to have gone down better than other songs listenable prior to the official release of ‘Suck It And See’ – due to its bitesize length, it’s very easy to leave it on loop for a while, racking up the play count. ‘Piledriver Waltz’ is given a second lease of life, having already been featured on Alex Turner’s solo soundtrack for the film ‘Submarine’, although I can’t help but view it as filler here… ‘That’s Where You’re Wrong’ serves as a good bookend to the album as an experience, yet I must say I can say little more about it than that. The album peaks with the penultimate track, which also happens to be the title track of the album. ‘Suck It And See’ is a beautiful song, and in truth I wish it had been made the closer instead of ‘That’s Where You’re Wrong’. Ultimately though, the order in which the songs are placed is insignificant – for me, ‘Suck It And See’ is without shadow of a doubt the unsung highlight of this new Arctic Monkeys LP. One thing’s for sure, there’s plenty of sticky hooks (perhaps ‘more like black treacle than tar’, actually) to keep going round and round in your head to be found here, in and amongst the 12 tracks.
| The band's members, looking pretty suave. Turner's only 25, by the way. |
It seems that Arctic Monkeys have found an outfit for themselves that gives them new purpose, and license to entertain again. It’s all a bit tongue in cheek, and the production values and melodies are gorgeous, giving it a unique vintage feel. They’ve found something they can run with, but they won’t, because being the band that they are, and the man that he is, Alex Turner will never let the Arctic Monkeys sit still. Stylistically speaking, it’s brave for Turner and his fellow Arctic Monkeys to go against their fans’ calls and continue their radical movement. It speaks volumes of the band’s confidence, and rightly so. Fans of the band need to know that the Sheffield days are gone, and that they should be embracing what still is one of the country’s most exciting acts. Sure, it’s not their best output, but it’s certainly closer to brilliant than it is to bad. ‘Suck It And See’ is well worth a suck; then you’ll see the pleasant taste it’ll leave behind in your mouth long after you’ve finished it.
8/10
You can listen to 'Suck It And See' online for free here: http://soundcloud.com/dominorecordco/sets/arctic-monkeys-suck-it-and-see